One hundred hairs make the man
On the plus side, we flew first class. On the minus side, we flew to Chicago. So it's a bit like when a dentist tells you how pretty you are when he's in the process of yanking your tooth. Why first class, you ask? Apparently first-class upgrades are the only thing that you can use frequent flyer miles for anymore. (I mean, I suppose if we'd wanted tickets to someplace really undesirable..."Yes, roundtrip to Bangalore. Oh no, economy is just fine.") Because of all this bureaucratic spoilsportsmanship on the part of the airline industry, it meant that nearly nine-tenths of the people in first class were, like us, economy class interlopers with the same idea. On our flight home we sat adjacent to two gigantic Midwestern Hairdo types who were traveling to NYC for a doll convention. They blathered loudly nonstop the entire flight about nothing at all and for the first time in my life I felt grateful that my eustachian tubes had swollen to their usual Hubba Bubba proportions. Chicago is a great city, by the way. We spent under 48 hours there, so here's my precis: Hotdogs and city corruption and buses as the main form of public transportation. Oh, and a steadfast determination to chase all the black people out so that more upwardly mobile folks can move in. Kudos, Chicago! (To be fair: Here's something interesting about Chicago you might not have known: Chicago had more anarchists than anywhere else in the US. This was before Food Not Bombs, even!) Sadly, because we were out of town, we missed Emmanuel Carrere's La Moustache which played this weekend at IFC.Based on a book also written by Carrere, here's the story: One day, while waiting to join some friends for dinner, Marc decides to shave off the thick moustache he’s worn all of his adult life. They go off to dinner, but no one — neither Agnes nor their dinner companions — says a word about the major change in Marc’s looks. Could they really not notice?[CUE Orff's "O Fortuna"] Agnes: Tu blague! Tu n'avais jamais eu d'une moustache! Marc: [CRIES, LOOKS DIRECTLY AT CAMERA] "L'enfer, c'est les autres." [SCENE] I've enjoyed everything I've read by Carrere, but this movie has received a lukewarm reception thus far. (Though they liked it at Cannes, so who knows? The French, they love their moustaches.) Carrere has a talent for intelligent, understated horror. He's also great with suspenseful nonfiction too--The Adversary, a bio of Jean-Claude Romand (who makes James Frey look like an amateur) held me rapt one Christmas while I was avoiding familial obligations. He's also written stuff about Philip K. Dick and Herzog*. Yeah, he's commercial, but he's no intellectual slouch. How is he as a director? Yet to be determined. Back to La Moustache. Every single man I've ever met who's grown and kept facial hair has developed an irrational, sentimental attachment to it. My father had a handlebar moustache for 30 years and confessed to me that he was, in fact, afraid to trim it--to trim it, mind you--because it was a part of his persona. A symbol of his individuality and personal freedom. One of my exes kept a hideous, proto-hipster gay porno 'stache for a year--I think that was partly to annoy me, though. I believe this because he endured the constant pick-up attempts at Squeezebox and the strange man behind the counter at the pet food store comparing moustaches with him in a flirtatious way. "Rex," he would say**, "Your moustache, it is so full and healthy." And he would reach out and caress his cheek. When he was feeling petulant, he would threaten, "Rex, that's it. I'm going to shave it. I'll do it!" I think that pet food store is now a falafel restaurant. I bet it's still owned by the same people. *N: Which Herzog do you mean? **My ex's name wasn't actually Rex, but this was either the nickname he'd been given--perhaps a Syrian term of endearment?--or a mangling of his Western name. Posted by Dana at 09:48 AM
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However, Dorrel Norman Elvert "Whitey" Herzog's management style was rather before its time--if not itself avant-garde--as it focused on speed, defense, and pitching, rather than pure power. The precursor to moneyball, in a sense, one could perhaps picture Carerre writing about Herzog's major role in the birth of Dada and, even later, the Beat movement (as well as his little-known development of the telegraph-based Flash Mob in 1924).
True, his influence in the art world abated somewhat after the disastrous installation at the United Nations of Warhol's "Whiteys 1-27", a loft-sized installation of 27 identical black and white photographs of Herzog in drag. Despite the outrage Warhol's work engendered, Herzog's contributions to the development of the modern avant-gardists is truly stunning, even rivalling the influence of the great Yogi Berra.
But Herzog's contributions weren't limited to the art world. He appears quite clearly wearing a Liverpool FC jersey on the cover of "Sgt. Pepper's Lonely Heart's Club Band", was cited by Kurt Cobain as a major influence during the writing of "Bleach", helped Elvis construct the first peanut butter/mayo/bacon/banana sandwich, and is rumored to have been the shadowy "Mr. H.", third party in the legendary Mick Jagger/David Bowie three-way tryst.
Posted by: reeves at March 13, 2006 02:40 PM